Friday, August 24, 2012

Branca keeps eye on Michael Jackson’s money

Branca keeps eye on Michael Jackson’s money, legacy 

As co-executor of Jackson’s will, John Branca chooses to ignore the erupting dramas and personal attacks and keeps his eye on the future, which he says belongs to Jackson’s mother and children and to the pop star’s musical legacy.
He and co-executor John McClain have been successfully pursuing projects to pay off a mountain of debt left by the superstar, to assure the financial future of his three children and to guarantee that Jackson’s music will live forever.
“When Michael Jackson died, he was near bankruptcy,” said Branca, suggesting the future for his three young children was uncertain. “Now we know the kids will be OK.”
Branca sat down recently with The Associated Press to discuss the current state of the Jackson estate and projects to preserve Jackson’s image as the King of Pop. But he resolutely refused to address the elephant in the room — recent attacks on him and McClain by some Jackson siblings who were left out of their brother’s will.
They sent a lengthy letter that became public accusing the executors of deceit and manipulation of their mother and claiming that Jackson’s will was a fraud. They have not taken any court action and legal experts say the time to challenge the will, which disinherited them, is long past.
Branca and McClain issued a statement calling the accusations “false and defamatory,” adding “we are especially disheartened that they come at a time when remarkable progress is being made to secure the financial future of his children ...”
Secure in his knowledge that all four of Jackson’s wills named him as executor, Branca continues to make deals for the Jackson estate that are generating millions in revenue. This week, they announced an agreement with Sony/ATV Music Publishing to administer Jackson’s Mijac Music catalog, which includes such hits as “Beat It” and “Billie Jean.” The deal is expected to generate enough revenues to pay off a remaining $5 million loan by year’s end.
Since Jackson’s death on June 25, 2009, Branca said the singer’s personal debt of $200 million has been paid off and another $300 million tied to his ownership of the Sony and ATV catalogs has been renegotiated.
“Michael had a will and a trust and that’s what we follow,” he said.
The estate pays Mrs. Jackson $70,000 a month for the children’s support, pays the rent on their mansion in Calabasas, and is picking up bills for other expenses including renovation of their Encino home.
Branca’s AP interview was his indirect response to accusations by Janet, Jermaine, Randy and Rebbie Jackson that the estate was being mishandled. Jermaine later disavowed the incendiary letter and called for peace in the family. But Janet, Randy and Rebbie fired back with a letter of their own reiterating their complaints.
Brimming with excitement, Branca spoke of upcoming ventures he thinks would have delighted Jackson, especially a permanent Jackson-themed extravaganza on the Las Vegas Strip. It comes on the heels of the Cirque du Soleil Jackson tribute show, “Immortal: The World Tour.”
“The Lion King” theater at the Mandalay Bay Hotel is being rebuilt to house the still untitled show, also a Cirque du Soleil production, which is set to open May 23, 2013.
“It will be highly theatrical and completely different from the arena show, which was more of a concert,” Branca said. “We will have the opportunity to create something special and ground-breaking.”
Declining to reveal all of the technical wizardry planned, he said, “We’ve got all kinds of tricks up our sleeves.”
Every seat will have its own speakers, while the walls and ceiling will be used to create “a totally immersive experience for the audience,” he said.
Unlike the touring show, there will be no live band and all music will come from remixes of Jackson’s recordings.
Branca and co-executor McClain, a reclusive recording executive, say they understand Jackson’s desires to take care of his mother and children — Prince, Paris and Blanket — financially and keep his music alive.
“We feel Michael entrusted us with his legacy and with the future of his mother and children,” Branca said. “We’re honored and proud and passionate about celebrating Michael. It’s a labor of love for us. We love Michael.”
Branca met Jackson in 1980 when both were just starting out. They would go on to legendary success together but there were also some rocky times. During more than two decades together, they had two three-year periods of estrangement over business disagreements.
Branca was rehired by Jackson a month before he died, with instructions to draft an agenda for future business deals. Branca presented the plan a week before Jackson died and it has been the roadmap for the estate’s posthumous enterprises.
In addition to the upcoming Las Vegas show, a new album and a concert DVD will be released soon celebrating the 25th anniversary of Jackson’s “BAD” album. Then a two-hour documentary by acclaimed filmmaker Spike Lee on the making of “BAD” will show at the Toronto and Venice film festivals next month.
The anniversary promotions include a deal with Pepsi to put silhouettes of Jackson on a billion cans of soda in 20 countries.
And this week, the Cirque du Soleil traveling show begins an international tour to Mexico, Europe and perhaps Asia.

 

Friday, August 10, 2012

Michael Jackson's longtime costumer unveils book

Michael Jackson's longtime costumer unveils book

The zipper-covered "Beat It" jacket. The military-inspired coats with their epaulets, crests and insignias. And, of course, that glittery glove.

Michael Jackson's fashion sense was as singular as his musical style and dance moves. Millions imitated his pegged pants and penny loafers, a fedora cocked just so.

Jackson's longtime costumer reveals the secrets behind the King of Pop's meticulously crafted, regal rock-star look - and an intimate glimpse into the man himself - in a colorful new book, "The King of Style: Dressing Michael Jackson."

"When you worked with him, you couldn't wait to get there and you didn't want to leave when you got done," said author/costume designer Michael Bush, who with his late partner, Dennis Tompkins, dressed Jackson for more than a generation. "It was hard to imagine anyone that projected fashion and style any better."

What most people don't know about Jackson, Bush said, is he was a joker - a playful prankster who loved to laugh and often teased those closest to him the most.

Bush tells of meeting Jackson for the first time in 1983, when both men were 25. The King of Pop hadn't retained a costumer yet, and Bush was up for consideration. Jackson had been holed up for hours in his trailer on the set of "Captain EO." Bush could hear a monkey squealing as he approached. It was dark inside and "like 120 degrees." Jackson was snacking.

Eager to please as he prepped the pop star's clothes, Bush felt something hit him gently in the head. A cherry stem. A few seconds later, it happened again. When it happened a third time, Bush lobbed a cherry at the rising superstar. Jackson tossed a handful back, and thus began a close professional and personal relationship that spanned the remainder of Jackson's life.

"I think he wanted someone he could play with. He just wanted to see, 'Am I going to have fun with this person?' " said Bush, now 54, an almost sheepish, informally trained clothier from Ohio who learned his craft from his mom and grandmother, who made wedding gowns, prom dresses and quilts.

"And I laughed every day until he died."

Bush wouldn't discuss the time Jackson wore pajama bottoms to court during his child-molestation trial in 2005, but relished in other details of the entertainer's unique approach to his performance attire.

"Michael's concept was, 'I want the fashion designers in the world, the big conglomerates, I want them to copy me. I don't want to wear what's out there. I want to push my individuality, and being that my music is me, my look should be me,' " Bush said in an interview at a warehouse in Los Angeles, racks of glittery history behind him.

Jackson's stage costumes were designed to display his dance moves, so Bush and Tompkins, who died in December, were treated to regular private dance recitals to inform their work. Jackson danced five or six hours a day whether he was on tour or not, Bush said: "He traveled with a hardwood floor in a road case."

All that dancing, such as during the 1987 "Bad" world tour, meant Jackson could drop so much weight during a concert that the costumes for his closing numbers had to be smaller than the ones for the show openers.

"Michael was usually a 28-inch waist, but by the midpoint of the show, when he was ready to perform his magic act of choice, right before 'Beat It,' he'd already lost five pounds of water, and his waist dropped to 27 and a quarter," Bush writes in "The King of Style." "If we didn't have clothes hanging on the rack in the right order that were getting progressively smaller, we'd risk him putting on a pair of pants that would fall to his ankles with each rhythmic move of his body. And there is no magic in that!"

The King of Pop preferred China silk, silk charmeuse and stretchy fabrics. "Spandex made Michael feel sleek and secure and worked for his dance style," Bush writes.

Then there were the military jackets, the rhinestone-encrusted interpretations of British war uniforms like the one Jackson wore at the 1984 Grammy Awards, when he raked in a record eight awards for "Thriller."

Jackson had a childlike fascination with rhinestones, Bush said.

"Sometimes I'd drive three hours to retrieve loose rhinestones straight from the factory, just because looking at them in that raw form pleased Michael to no end. Every time I opened the swatch of white felt that encased the rhinestones, he'd gasp," he writes. "He'd take them from me and delicately move them around with his fingertips and whisper 'Can you imagine being a pirate opening a treasure chest? And seeing all the glitter inside? What a fascinating life, to be a pirate like that.' "

Bush and Tompkins worked with Jackson until the pop star's death in June 2009. Though they weren't in charge of the costumes for the ill-fated "This Is It" comeback tour, Jackson's longtime costume designers created ensembles for seven songs, including a reprise of his "Billie Jean" outfit with its loafers and spangled socks. There was also a burgundy and gold monogrammed top with a Chinese collar and bell sleeves, and a pair of black bedazzled shin guards.

Bush declined to share any details about Jackson's health or demeanor in his final days. He did say, though, that the King of Pop had always hoped his costumes would be celebrated in books and museums, and Bush is humbled by making that dream a reality. The costumer will exhibit some of Jackson's performance outfits in South America, Europe and Asia before releasing his book on Oct. 30. Many of the costumes will be sold at auction in December, with a portion of the proceeds benefiting the Recording Academy's MusiCares charity.
 

 


 


Jackson websites shut down for violating copyright

Jackson websites shut down for violating copyright

A Canadian memorabilia dealer who worked with Michael Jackson's mother on a tribute book, and whose websites used the singer's image and music, violated copyrights held by Jackson's estate, a judge ruled on Friday.

A federal judge in Los Angeles granted an injunction blocking entrepreneur Howard Mann from using the websites "michaeljacksonsecretvault.com" and "MJgives.com" and other similar domain names, saying he had infringed the dead singer's intellectual property.

"There is undisputed evidence that (Mann) intended in bad faith to profit from use of Jackson's name, by registering multiple domain names containing his name or the initials 'MJ' to sell Jackson-related products," U.S. District Judge Dean Pregerson wrote in his ruling.

The executors of Jackson's estate filed the case against Mann in January 2011, 18 months after the "Thriller" singer's sudden death in Los Angeles from an overdose of the surgical anesthetic propofol.

The estate holds the copyright to Jackson's image and music for the benefit of the singer's mother Katherine and his three children.

Judge Pregerson sided with executors, who claimed that the websites run by Mann used copyright protected clips of Jackson's song "Destiny", a logo featuring the self-styled "King of Pop" and art from the posthumous concert movie "This Is It".

Mann has worked with Katherine Jackson on several projects since 2009, including a 2010 "Never Can Say Goodbye" coffee table book featuring recollections of her son, as well as a DVD and calendar featuring what were described as never before seen photos and video.

All were sold through the "secretvault" website. Mann claimed he obtained the rights to the material at a bankruptcy sale involving members of Jackson's family several years ago.

The "www.michaeljacksonsecretvault.com" site failed to load on Friday and Mann could not immediately be reached for comment.

Howard Weitzman, a lawyer for Jackson's Estate, said a court date set for September 4 will involve "how much in damages the Michael Jackson Estate is entitled to collect from Mann and his various entities."

The two executors, John McClain and John Branca, said in a statement they were "extremely pleased" with the Court's ruling which will prevents Mann from "continuing to unlawfully profit from Michael Jackson and his intellectual property."